Publicists, Manifesto Pushers, Propagandists | What Happened to the Avant-Garde?

Liza Batkin

It’s commonplace to note that sociopolitical upheaval and artistic experimentation often flourish side by side. But today — despite an alleged “polycrisis” — new modes of cultural production don’t seem to be emerging. Three years after the start of the Covid-19 pandemic and the subsequent George Floyd rebellion, the arts seem stagnant and stubbornly centralized: franchise fare dominates at the box office; literary output is hampered by monopolized publishers; even...

New Rules to Break

Liza Batkin

When dancers refer to the avant-garde, they tend, counterintuitively, to mean something old: experimental artists in the 1960s and 1970s in New York, who worked largely out of lofts and Judson Memorial Church. Modern dance, by that point, had moved beyond ballet’s pointe shoes, tilted heads, and sweet violins, but the avant-gardists went further. Yvonne Rainer wrote a manifesto in 1965 that rejected spectacle and virtuosity. Trisha Brown strung unremarkable...